21 November 2007
NEW YORK -- The first-ever Asian Contemporary Art Fair debuted at Pier 92 on the Hudson River from November 8 to 12 and enticed more than 20,000 guests during the four-day affair.
The fair featured 76 exhibitors from 10 different countries and the top galleries from the international art market. Hundreds of artists, both young and old, from different Asian countries such as China, India, Japan, South Korea and Vietnam participated.
In the midst of them all stood Leslie de Chavez, the lone Filipino painter, represented by Arario, an art gallery based in Seoul.
De Chavez’s work, alongside Korean artist Hyung Koo Kang’s dominated Arario’s booth at the exhibit. Kang’s huge, monochromatic portraits featured fellow artists, such as Auguste Rodin, which was one of the paintings on display. De Chavez’s work, depicting women, shared the limelight.
De Chavez’s paintings focus on “unique Filipino scenes, culture and history,” according to Jeeah Choi, Arario Gallery’s curator.
“His paintings are dark — literally, since he begins each work by painting the canvas black,” Choi explained.
Two of his paintings at the fair are unusual, because, as the New York Sun described it as “mildly — and, no doubt, ironically — pornographic”.
One was called “Lilly”, a schoolgirl, wearing a T-shirt with an image of Andy Warhol’s “Marilyn”. The racy painting had Lilly pulling up her skirt to reveal her lacy underwear.
The other one, called “Asian Wave”, shows a pair of naked women with the words “here 2 stay”.
De Chavez held a solo exhibit earlier this year in Beijing and Seoul where most of his paintings were sold. Next year, Arario will bring a solo exhibition of his new works to Switzerland. Plans were also being made to bring some of his paintings to the newly opened Arario Gallery, a 20,000-square-foot space on West 25th Street.
De Chavez is currently based in the Philippines. He stayed in Korea for a year as part of the Neo-Emerging Artists residency. He graduated cum laude from the University of the Philippines with a Bachelor of Fine Arts degree.
Six life-size statues of Mao Zedong made of shiny stainless steel by Guangci greet visitors at the exhibition’s entrance. Ken Johnson of the New York Times noted his reappearance in works by some of the artists in the exhibit was noted by.
“The vaguely mocking way he is so frequently represented in contemporary Chinese art hints at a deeper post-traumatic anxiety and, perhaps, an urge to exorcise him,” Johnson said.
Billed as the first international art fair to focus exclusively on contemporary Asian art, the exhibit had collectors, artists, dealers and art-lovers during the four-day affair.
There was also a special 26-artist group exhibition organized by the independent curators Eric C. Shiner and Lilly Wei called Simulasian: Refiguring ‘Asia’ for the 21st Century. It aimed to examine “the ways in which today’s artists are questioning, and enlarging, the definition of ‘Asian-ness.’” (www.asianjournal.com)